Analysis of Mozart’s ‘The Magic Flute’ for a Modern Audience

After seeing Julia Jones conduct Mozart’s The Magic Flute (or Die Zauberflöte) at The Royal Opera in London, here is a reflection on the important elements of the opera and its translation to a modern audience.  by Simon Critchlow  It's 1791 and all is well for W. A. Mozart. He’s off to the theatre to see his mates, doubtless … Continue reading Analysis of Mozart’s ‘The Magic Flute’ for a Modern Audience